INTERIOR LINERS BY JASON PENICK
1. (I Found Myself in a)WILD SITUATION
- This catchy rocker, complete with off-color humor during the fade-out, appears here in a special remixed version, comprised of the original stereo master found on other editions of BAMBOO mixed to an additional two tracks of accompanying background vocals. We at BAP are confident that this stereo mix is now the "definitive" version of this lost classic. Cisc-O-Disc has included this new mix on both ULTIMATE BAMBOO and their DREAMER collection.
2. UNDER THE MOONLIGHT
- Brash rocker with a fantastic Ed Carter guitar solo, "Under the Moonlight" is a good example of the stylistic shifts Dennis became interested in after PACIFIC OCEAN BLUE. Whereas most of songs on his first LP were impressionistic and loosely structured, "Under the Moonlight" is sharply arranged and exceedingly tight. Interestingly, this track was composed by Carli Munoz mid-flight during a Beach Boys tour, sometime around 1973.
3. BABY BLUE EYES - Simply one of the most heart-wrenching Beach Boy ballads
of all time. In its earliest form, "Baby Blue Eyes" featured an emotional
solo vocal by Carl Wilson, but did not include Dennis' "middle eight" vocal
which turned up on the Bruce Johnston produced Beach Boys version. In its
place was a simple but pretty whistled melody. Utilizing both edits, Cisc-o-Disc
went to work constructing a third version of "Baby Blue (Eyes)" incorporating
Carl's solo vocal from the first version throughout the beginning, Dennis'
vocal along with the whistling during the bridge, and a double-track Carl
lead on over the close with full harmonies. This is not intended to be
the "best" or "most complete" version of this song available, simply a
new way of listening to an old classic.
4. SCHOOL GIRL - Originally from the PACIFIC OCEAN BLUE sessions. The lyrics probably didn't please Denny's then-wife Karen Lamm too much! Musically, “School Girl” retains many of the dense production textures incorporated into POB, while the words to this song are eerily prophetic of the "wild situation" Dennis would undergo with Shawn Love a couple of years later.
- Written by Carli Munoz and lyricist Rags Baker in 1971, "Companion" is an ambitious Munoz production featuring a pulse-pounding Brazilian rhythm groove. It's both poignant and saddening to consider that just as Dennis' had progressed stylistically to the point where he had become prolific performing in a wide variety of musical genres, forces conspired to deny him the ability to record his ever-widening musical ambitions. Still, "Companion" reminds us that Dennis could handle dynamic songs in a diverse assortment of genres.
6. LOVE SURROUNDS
ME - One of Dennis' prettiest, saddest numbers, "Love Surrounds
Me" is the only released composition co-written by Dennis and Beach Boy
collaborator Geoffrey Cushing-Murray. Initially tagged for BAMBOO (along
with "Baby Blue [Eyes]"), the song was handed over to the Beach Boys for
the 1979 LA (LIGHT ALBUM), effectively killing any notion of a proposed
Dennis Wilson solo release. Various sources credit the background vocals on the tag to either vocalist Marisa Conover, or to Christine McVie (!!!), member of the legendary band Fleetwood Mac, and
Dennis' love interest at the time.
7. HE'S A
BUM - One of the most legendary BAMBOO-era Dennis Wilson songs,
"He's a Bum" is also one of the poorest sounding in terms of available
tape quality. Presumably, the "finished" version of "He's a Bum"
was little more than a demo and probably would not have seen the light
of day in this form, even if BAMBOO had seen official release. This
new stereo remix features an ultra-rare marimba and piano track that kicks
in at the start of the second verse. Listen hard and you may hear
the voice of famed Beach Boy scribe David Leaf in the background harmony
8. IT'S NOT
TOO LATE - (It Won't Be Long) - Originally written by Carli Munoz sometime between 1967 and ’68, “It’s Not Too Late” is perhaps the most beautiful unreleased song in the entire Beach Boys cannon., which is saying something for a band that has more unissued material gathering dust in vaults than most acts could ever hope to record in three lifetimes! Brother Carl turns up again here and offers one of his most heartfelt vocals of all time (and Carl Wilson at his most heartfelt is a force to behold). Denny adds a sensitive vocal intro as well as some lyrical additions to the second verse, and though the contrast between his voice and Carl's is staggering, the overall effect is extremely effective. It's hard to believe this one never officially saw the light of day.
9. MORNING CHRISTMAS (Holy Evening)
- Originally written for the aborted 1977 MERRY CHRISTMAS
FROM THE BEACH BOYS lp, this stunning hymn was recorded by Dennis without
any other Beach Boys participating in the session. When the Christmas record
was rejected by Warner's and MIU ALBUM released in its place, Dennis tagged
"Morning Christmas" (also referred to as "Holy Evening" or "Holy Holy")
for his intended follow-up to POB, BAMBOO. Interestingly, this spiritual
meditation on the joys of Christmas contains no explicit references to
either Jesus Christ or Santa Claus. The layered background vocals on this
evocative song were provided by vocalist Marisa Conover.
10. ALL ALONE
- The fourth track to be officially released from these sessions,
“All Alone” was included-- along with “Barbara”-- on Capitol’s 1997 ENDLESS
HARMONY soundtrack. Written (ca. 1971) and produced by Carli Munoz, the song features touring
band stalwart Bobby Figeroa on drums and members of a group named the Load
on other instruments. Dennis plays an ARP synthesizer and adds percussion.
An alternate vocal take of this song exists sans sax solo,
on which Dennis apparently has trouble remembering the order of the verses.
The decision was made to include the more finished version of “All Alone”
on this cd, to insure that the overall sound was as close to a fully
mastered studio release as possible.
11. LOVE SURROUNDS
ME (REPRISE) - Underneath Dennis and Christine McVie/Marisa Conover's
sensitive vocals, “Love Surrounds Me” is a beautiful, moody and evocative
musical performance. This rare stereo backing track features some
minor differences from the finished mix of the song and serves as the perfect
closing theme to this magnificent collection.
12. 10,000 YEARS - Written by Dennis and Mike Love, this track originated around the time of the Beach Boys' 15 BIG ONES sessions and was tweaked intermittently over the next seven years (perhaps as separate works by both authors). No vocals have ever surfaced, but lyrics were written for this funky excursion-- the theme being man's inability to treat his fellow man with compassion over the course of ten thousand years. It's interesting to note that this is at least the fourth composition co-written by Dennis and Michael. For two individuals supposedly often at odds with one another, they often seemed to put aside their differences when it was in the best interest of their music. (A revealing 1976 radio interview of Dennis and Mike on WLS radio Chicago shows off the pair as positively chummy with one another, with Dennis praising Mike's "Everyone's in Love with You" as "the most beautiful song I've ever heard.")
13. NEW ORLEANS
- Not much is known about this ragtime-flavored instrumental, but there's
a good chance that it's Dennis playing the rollicking piano. It’s
not certain whether or not lyrics were ever written for this cut.
COME HOME (LIVE) - Recorded live on the Midnight Special
TV show, April, 1979. The Beach Boys appeared together on the show
to promote their recent release, LA (LIGHT ALBUM). The highlight
was Denny's sensitive handling of this classic ballad from LA, written
by brother Carl and collaborator George Cushing-Murray. The lyrics
to "Angel Come Home" reflect on Carl's divorce from his first wife Annie.
It's not known why he chose Dennis to sing this very personal song, but
the choice was brilliant. Dennis' denigrating voice conveyed the
regret that Carl's ultra-pure tenor was unable to convey.
15. GOOD TIMIN'
(LIVE) - Recorded live some time between 1979 and 1981.
This song also hails from the LIGHT ALBUM, but unlike "Angel Comes Home",
this Brian/Carl collaboration was intended to be sung by Carl. Why
Dennis handled the vocals here is uncertain (according to Dennis, Carl
"chickened out") but this is another case of Dennis' ragged voice completely
transforming what was once a song of joyous optimism and naiveté
into something heavier and much more complex. When he sings the refrain
"you need good timin'", it's as though he is singing to soothe his own
tormented soul. An inspiring performance.
INTERIOR LINERS BY JASON PENICK
BIRD (1968)- Dennis's first composition with a little help from
brother Brian (uncredited). Lyrics were written by Steve Kalinich with
Dennis and Brian composing and producing the track. Originally released
as the b-side to "Friends" single, and also a highlight of the Beach Boys'
excellent 1968 FRIENDS lp.
2. BE STILL
(1968)- Dennis's second song for the Beach Boys required only two tracks
for recording: one for organ and another for his single lead vocal. Steve
Kalinich based the lyric for this somber tune off of a greeting card sentiment.
Also from the FRIENDS album.
3. BE WITH
ME (1969)- While his previous two compositions served as production
lessons, "Be With Me" demonstrates that by 1969 Dennis had mastered the
art of studio recording. This lush ballad combines Beatlesque melody and
arrangement feels with a heartwreching lead vocal, woven into a shimmery
wall of sound. "Be With Me" was perhaps the strongest new track on the
Beach Boys 1969 20/20 lp, a hodgepodge collection of years-old Brian Wilson
outtakes, kitchy cover-version singles and a throwaway Bruce Johnston instrumental.
20/20 showcased Dennis as perhaps the only Beach Boy with enough songwriting
talent to further the band's artistic legacy in the wake of Brian's increasing
incapibility to create music on any sort of a regular basis. (Note:String
arrangements courtesy of Van McCoy of "The Hustle" fame.)
THE NEWS (1969)- Co-written by Dennis and the man who would
be his most consistant writing partner throughout the next decade, Gregg
Jakobson. "Celebrate the News" is a driving, melodic folk-rock number with
a fantastic climax. The lyric is presumably about the Beach Boys 1969 break
with Capitol records. Brian makes a superb harmony appearance, something
that was becoming increasingly rare on Beach Boys recordings during this
era. Originally released as the b-side to the "Breakaway" single, "Celebrate
the News" was included on the master reel for an unreleased last Beach
Boys' album for Capitol.
5. SLIP ON
THROUGH (1970)- Though the majority of critical and fan praise
is directed towards his slower, more emotional material, Dennis was equally
adept at writing soulful up-tempo numbers like "Slip On Through". Just
like "Be With Me", "Slip" is a masterful production comprised of multi-layered
vocals, a highly processed backing track and odd percussive effects. Chosen as the kick-off track for the Beach Boys' sparkling Warner's debut release
SUNFLOWER, "Slip on Through" was also the only Dennis Wilson composition
ever to be released as the a-side of a Beach Boys single. It failed to
(1970)- The most widely known and loved Dennis Wilson composition, "Forever"
is an emotional thank-you card from Dennis to his wife Barbara Charren,
co-written by Denny and Gregg Jakobson. The chord progression used is simple
but effective, and the whole track really comes alive with excellent harmonies
from the Beach Boys (especially Brian and Carl). Ably covered by Brian's
wife and sister-in-law's singing group Spring in 1972, the original version
of "Forever" hails from the 1970 SUNFLOWER lp.
(1970)- In late 1969, Dennis teamed up with Beach Boys session keyboardist
Darryl "Rumbo" Dragon with the idea of recording a solo album apart from
the Beach Boys. For the next two years, Dennis would persue this notion,
but only four songs would ever be made commercially available in his lifetime.
Two of these, "Cuddle Up" and "Make It Good" would be included on the Beach
Boys' 1972 CARL AND THE PASSIONS- SO TOUGH lp release, while two others,
"Sound of Free" b/w "Lady", were released as a single in December 1970
and credited to Dennis Wilson and Rumbo in anticipation of the impending
solo lp release. Though it was the single's b-side, Dennis and the other
Beach Boys chose the gorgeous Ennio Morricone influenced ballad "Lady"
(also known as "Fallin' in Love") over "Sound of Free" for inclusion on
two Beach Boys lp's, ADD SOME MUSIC and LANDLOCKED, neither of which were
ultimately released. However, a version of "Lady," titled "Fallin' in Love"
and changing the word "lady" to "baby" for gender purposes, was recorded
by the band Spring for their 1972 United Artists debut (produced by Brian).
This version was covered by the band Lush in the 1990's. Curiously, though
"Lady" is presumably dedicated to wife Barbara, one darker interpretation
of the lyrics is that Dennis is singing about his initial experiences with
cocaine (which many addicts refer to as the "falling in love" stage).
8. SOUND OF
FREE (1970)- The a-side of the first solo 45 released by a Beach
Boy (excluding the 1965 "Caroline, No" single Capitol attributed to Brian
Wilson), "Sound of Free" is a optimistic blast of late- 60's rock completely
at odds with what the music the other Beach Boys were making at the time.
The single was not released in the U.S. but received some radio support
and achieved limited success in the U.K. Ironically it was cousin Mike
Love who co-wrote "Sound of Free" with Dennis. The two would again collaborate
on the songs "Only With You" (from the Beach Boys' 1973 HOLLAND lp) and
"Pacific Ocean Blues" (from Dennis' 1977 PACIFIC OCEAN BLUE lp and also
included in this collection).
(1970)- Another track intended for Dennis' unfinished first solo album,
"Barbara" is yet another heavenly piano ballad written by Dennis for his
second wife. Though he had many women in his life, Dennis seems to have
had special feelings for Barbara, as he wrote many fine songs in her honor
(among them "Forever", "Lady", "Barbara" and the unreleased "I've Got a
Friend,") and frequently made reference to his love for her in concert
and tv appearences. The song "Barbara" was composed and recorded on two
pianos played by Dennis and Darryl Dragon. Darryl later revealed his piano
lines were a guide for a string part to be overdubbed at a future session.
"Barbara" was never released in Dennis' lifetime, but was thankfully included
on the Beach Boys' 1997 compilation of rarities ENDLESS HARMONY.
10. QUAD SYMPHONY
(1970)- In 1970, as a favor to Beach Boys' head engineer Steven Desper,
Dennis allowed segments of several song fragments he had recorded in quadrophonic
(4-channel) sound to be pressed onto an acetate for Desper to use to demonstrate
the capabilities of quad sound at an engineering seminar. These song segments
were unfinished tracks intended for the solo album. Using state-of-the-art
24-bit digital editing technology, Cisc-O-Disc has compiled an extremely
listenable edit of these segments, dubbed the "Quad Symphony". The first
of the three movements is a combined edit of a duet piano sonata and accompanying
organ duet, both performed by Dennis and Darryl. These duets are a fascinating
glimpse at just how far Dennis' melodic instincts had developed in only
two years of writing music, and also highlight his largely underrated keyboarding
skills. As the last organ notes trail off, the suite fades into a new segment
titled "All of My Love". This vocal choral features Dennis' voice overdubbed
an incredible 350 times. Truly it must have been impressive to listen to
this track in its original quadrophonic mix as it was being played over
engineer Desper's hi-fidelity studio monitors that day in 1970! The last
of the three parts is a lush piano piece laced with delayed electric guitar
lines and propelled by Denny's steady drumming, referred to only as "Quad
Instrumental". Taken as a whole, this suite of "feels" shows Dennis progressing
artistically at a phenominal rate.
ME HOME (1972)- From 1968 to 1970, Dennis' role in the Beach
Boys had grown with each individual album. However, by the time of 1971's
SURF'S UP, the other Beach Boys had begun to follow Dennis' lead and contribute
their own material. With five different songwriters vying for space (not
including Brian who had composed the album's title track 5 years previously
and could barely be coaxed from his bedroom to hear how the Beach Boys
were remaking his masterpiece) it's little wonder that Dennis decided to
gracefully relinquish his customary three album slots to the others. To
say the album suffers because of it would be putting it mildly, and to
this day only one of Dennis' SURF'S UP songs, "Fourth of July", has been
commercially released (on the 1995 Beach Boys GOOD VIBRATIONS box set).
Lost are such legendary Dennis titles as "Behold the Night" and "It's a
New Day". However, with the success of the SURF'S UP lp and the departure
of Bruce Johnston in 1972, the Beach Boys invited two black South African
musicians from their touring band (who were also members of the all-black
rock group Flame, for whom Carl Wilson had produced a fine album on Brother
Records the year before) named Blondie Chaplin and Ricky Fataar to join
the group. More than any other Beach Boy, Dennis enjoyed collaborating
with these talented foreigners. The emotional "Carry Me Home", about a
dying Vietnam soldier's request to have his body buried in his home town
in front of his parents, was Blondie and Ricky's first recording session
with the group. ennis later submitted the song for inclusion on the Beach
Boys' 1973 Holland lp, but withdrew it shortly afterwords because he felt
it was too depressing for a Beach Boys record. Blondie contributes an emotional
duet with Dennis on this song, while Ricky would become one of Dennis'
favorite recording partners even after leaving the Beach Boys in 1974,
culminating in his playing drums on Dennis' 1977 solo debut PACIFIC OCEAN
12. MAKE IT
GOOD (1972)- Dennis' ambitions to release his first solo album
effectively ended when he submitted two songs from it, "Make It Good" and
"Cuddle Up", to the Beach Boys for release on their 1972 CARL AND THE PASSIONS:
SO TOUGH lp. Recorded again with the aid of close friend and studio ace
Darryl Dragon, "Make It Good" is a slow symphonic piano piece with an underlying
emotive quality so staggering it can reduce the most cynical listener to
tears. In two and a half minutes the song progresses from "Be Still"-like
tranquility to a majestic symphonic sweep a la "Be With Me".
UP (1972)- Like "Make It Good", "Cuddle Up" is another D. Wilson/
D. Dragon meloncholy tearjearker. Unlike the brief "Make It Good", however,
"Cuddle Up" is extended to epic length, changing dynamics multiple times
throughout. Legendary dance director Twyla Tharp, stunned by the song's
emotive qualities, incorperated "Cuddle Up" into her ballet "Deuce Coupe
II" in 1976.
SONG (1977)- A song Dennis worked on with brother Carl from
the time sessions for his unreleased first solo album began in 1970 all
the way through 1977, "River Song" is an immaculate production-- featuring
pianos, strings and even the Little Rock Baptist Choir-- that kicks off
his solo debut album PACIFIC OCEAN BLUE in high fashion. POB was released
in September 1977 to critical praise and fair sales. The album charted
in the Billboard Hot 100 and went on to sell over 100,000 copies, but failed
to earn Dennis the widespread respect he deserved as an artist. Still,
the album's justified reputation as a lost classic continues to grow to
this day, with out-of-print cd and vinyl copies fetching over $100 a piece
on internet auction sites.
(1977)- A funky excursion also taken off of PACIFIC OCEAN BLUE, "Dreamer"
is, according to Dennis, a look at the life of Jesus Christ. The track
is propelled by a repetitive bass harmonica line and has a bit of a latter-day
Grateful Dead sound to it. Lyrics for "Dreamer", as with most of the songs
off of POB, were composed with partner/drinking buddy Gregg Jakobson who also produced the record with Dennis.
OF YOU (1977)- This is one of the Dennis' most heartbreaking
songs. The piano lines delicately establish a psudeo-classical feel, as
Dennis laments the loss of love. Karen Lamm, whom Dennis married after
splitting up with Barbara Cherren and divorced shortly before POB's release,
clearly is the muse of the track.
17. YOU AND
I (1977)- A samba-tinged ballad written by Dennis and Greg with
lyrics by ex-wife Karen Lamm. The chords here are reminicient of Carlos
Jobim, showing that Dennis had come a long way in terms of writing music
since his humble beginnings within the Beach Boys. "You and I" is the sweetest
sounding song on the emotionally charged POB. Many of Dennis' supporters
thought this song would be the certified hit his album needed to achieve
mass popularity. Although a promotional single of "You and I" was released
to radio stations around the country, the song never caught on and remains
yet another (generally) undiscovered gem in Dennis' catalogue.
OCEAN BLUES (1977)- Another collaboration from Dennis
and Mike Love, "Pacific Ocean Blues" is an ultra-funky rocker slipped in
between a string of ballads of side two of POB. The ecologically-minded
lyrics are certainly some of Mike Love's finest, but the track is clearly
propelled by its grooving backbeat-- a missing component from such contemporary
Beach Boys records as MIU ALBUM or 15 BIG ONES (for which the song was
initially intended). Although Dennis claimed that this was his least favorite
song on P.O.B., many others see this track as the highlight of the entire
MY FRIEND (1977)- Written as a eulogy for Otto "Pops" Hinsche, father of Carl Wilson's former brother-in-law and Beach Boy session musician
Billy Hinsche. Dennis' strained relations with his own father were well
documented, and their relationship was always a sour point in Dennis' life.
As such, Denny looked to the affable "Pops" Hinsche as a surrogate father
of sorts. Touchingly, when they first came together to discuss and mourn
Dennis' death, the Beach Boys gathered around a phonograph, put on "Farewell
My Friend" and cried.
20. END OF
THE SHOW (1977)- Maudlin closing track on Pacific Ocean Blue
could serve as a fitting epitaph for Dennis' life. When Dennis sings lines
like "Thank you very much for everything I ever wanted," or "It's wonderful
to know you're alive at the end of the show," it almost sounds as though
he is communicating from beyond the grave to his brothers.
21. HOLY EVENING
(1978)- Originally written for the aborted 1977 MERRY CHRISTMAS FROM THE
BEACH BOYS lp, this stunning hymn was recorded by Dennis without any other
Beach Boys participating in the session. When the Christmas record was
rejected by Warner's and MIU ALBUM released in its place, Dennis tagged
"Holy Evening" (also referred to as "Morning Christmas" or "Holy Holy")
for his intended follow-up to POB, BAMBOO. Intrestingly, this spiritual
meditation on the joys of Christmas contains no explicit references to
either Jesus Christ or Santa Claus. The layered background vocals on this
evocative song were provided by vocalist Marisa Conover
22. [I FOUND
MYSELF IN A] WILD SITUATION (1979)- This catchy rocker from
BAMBOO, complete with off-color humor during the fade-out, appears here
(as on DREAMER'S companion release ULTIMATE BAMBOO) in a special remixed
version comprised of the original track mixed with a seperate track of
accompanying background vocals. We at BAP are confident that this stereo
mix is truly the "definitive" version of this lost classic. Hence, Cisc-O-Disc
has included it with both albums.
23. LOVE SURROUNDS
ME (1979)- One of Dennis' prettiest, saddest numbers, "Love
Surrounds Me" is the only released composition co-written by Dennis and
Beach Boy collaborator George Cushing-Murray. Initially tagged for BAMBOO
(along with "Baby Blue [Eyes]"), the song was handed over to the Beach
Boys for the 1979 LA (LIGHT ALBUM), effectively killing any notion of a
proposed Dennis Wilson solo release. The background vocals on the tag are
courtesy of Christine McVie (!!!), member of the legendary band Fleetwood
Mac, and Dennis' love interest at the time.
24. BABY BLUE
[EYES] (1979)- The final song on this compilation also hails
from the LIGHT ALBUM. "Baby Blue [Eyes]", however, contains substantial
differences between the solo version (which features only Carl's voice)
and the full Beach Boys version. The Cisc-O-Disc remix on ULTIMATE BAMBOO
combines elements of both versions into one "complete" mix. The version
included here is the Bruce Johnston-produced version from the LIGHT ALBUM.
Dennis handled all arranging duties on this song himself.
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