Thomas Frank
Thomas Frank
Thomas Frank
Thomas Frank
Studio view
Dan Addington
Dan Addington
Dan Addington
Dan Addington
Lake Effect #4
encaustic on canvas
14x12
Lake Effect #3
encaustic on canvas
22x22
Lake Effect #6
encaustic on canvas
31x33
Lake Effect #9
encaustic on canvas
36x30
all work encaustic on panel
Veils of Morning
encaustic and mixed media on wood
48x36
Signs of the Flesh
encaustic and mixed media on wood
36x27
Splendor of Desire
encaustic and mixed media on wood
35x31
Forgotten Beauty
encaustic and mixed media on wood
27x36
NOTES on THE ENCAUSTIC MEDIUM
Encaustic painting is a technique developed in ancient Greece, and refers to any process that incorporates the use of wax manipulated through heat. Predating oil paint by centuries, beeswax is the oldest known pigment binder. The Greek word Encaustika literally means "Burning In". Typically, in this process, pigment is added to molten beeswax and in some cases resin, a hardening agent, and then applied to a rigid surface. The surface itself may be warm allowing for manipulation of the encaustic paint. It may also be cool causing the brush stroke to "freeze" immediately. After each application, the object is subjected to the "burning in" process, which consists of passing a heat source over the surface, causing a fusing and bonding of the painting. The surface may then be polished with a soft cloth resulting in an attractive sheen. While this is considered the "Classic Technique", encaustic is a flexible medium, accommodating a wide range of experimentation.
Beeswax, with its organic qualities, its evocative translucency, and its inherent feeling of timelessness, can be a seductive medium for both artist and viewer. Today many contemporary painters are rediscovering this ancient medium with amazing and varied results. These artists are experimenting with the expressive possibilities of encaustic techniques, pushing and coaxing the medium in new and unusual directions, always with an eye to its history.
Encaustic artwork has the advantage of not yellowing, of weathering well, being unaffected by moisture, and actually being able to withstand higher heat than oil paintings. It can be used for creating texture and can be applied to any number of surfaces (canvas, paper, stone, wood panels, etc). While at first glance beeswax may seem like a delicate medium, durability is one of it's greatest attributes; many examples of complete and undamaged works survive from ancient times. Unlike paintings produced in other mediums, these works retain a surprising brilliancy of color and freshness of execution. Rooted in historical precedent, this versatile medium remains vital, rich with possibilities for contemporary artists.
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